Record Icon
WarningSee Song Notes

Charley, My Boy!

1924

LYRICS

Do do do do…

Say Charley is an ordinary fellow to most everyone but Flo, his Flo
She’s convinced that Charley is a very extraordinary beau, some beau
And every evening in the dim light
She has a way of putting him right

Charley my boy oh Charley my boy
You thrill me, you kill me with shivers of joy
You've got the kinda sorta bit of a way
That makes me takes me tell me what shall I say?

And when we dance I read in your glance
Whole pages of ages of love and romance

They tell me Romeo was some lover too
But boy he should have taken lessons from you
You seem to start where others get through
Oh Charley my boy!

Do do do do…

Say, Charley my boy oh Charley my boy
Oh Charley oh Charley, Oh Charley my boy
Charley Charley Charley Charley Charley my boy
Oh Charley Charley Charley Charley my boy
Charley my boy, oh Charley my boy,
Oh Charley, oh Charley, oh Charley my boy!

My mother told me that I shouldn’t be kissed,
But then your coaxing ways are hard to resist,
My lips refuse,
But your eyes insist,
Oh Charley my boy!

Do do do do…
Oh Charley my boy!

SONG NOTES

Adjusted from the exhibit, Setting the Story Straight:

This was a popular song for dance band orchestras, which at the time mainly featured male vocalists. With the word ‘boy’ in the title, there is no ambiguity about the object of affection, who the narrator seems to be positively giddy for.

Recordings such as this one that leave the intro verse intact, reveal that the song, despite the use of the gender-neutral “I” pronouns in the chorus, was written from the perspective of Charley’s girlfriend with Cliff Edwards, playing the part of ‘Flo’. Just a few lines give context to the song that would otherwise not be clear, setting up the vocalist as relaying the story of a female character in a heterosexual relationship.

Cliff Edwards (or "Ukulele Ike") emphatically sings the name of the love interest in this song, Charley, over 26 times. Starting his career in vaudeville, both his famous yodeling and ukulele playing can be heard in this recording. An open question is: are his vocal affectations perhaps imitative of a woman's voice?

Note: The warning label is to point out the final stanza in this recording, which clearly communicate a lack of consent in the storyline: "My lips refuse, But your eyes insist"

RECORD LABEL

Perfect

LANGUAGE

English

CITATION

Perfect 11556. "Cliff Edwards (Ukelele Ike)* – Charley, My Boy! / I Wonder What's Become Of Sally?" 1924. Discogs. https://www.discogs.com/release/7017587-Cliff-Edwards-Ukelele-Ike-Charley-My-Boy-I-Wonder-Whats-Become-Of-Sally